As an Ohio based Production Sound Mixer, I work regularly in Cincinnati; located just 4 hours from my local production city of Cleveland. with more than a decade of audio experience including work in Audio Post-Production & a commercial recording studio; I bring a depth of knowledge allowing me to deliver high quality sound & serve more complex productions for my clients. Staying attentive to details, I mitigate potential problems that could cause headaches in post-production, employing creative solutions to solve problems on set.
Every video production has different sound requirements, so I provide solutions tailored to meet the needs of your specific shoot. I offer scalable ranges of bag based run and gun sound equipment to full scale cart based production sound packages accompanied by a full team of a Sound Recordist, Boom Operator, & Audio Utility. Every shoot is different, so let’s discuss the specific needs of your production.
As an Ohio based Production Sound Mixer, I end up on productions in Cincinnati pretty often. Covering the Midwest area, I’m based a short 4 Hours away in Cleveland. Typically when working in Cincinnati or Southern Ohio, I bill mileage & portal to portal. Contact me today to discuss your shoot’s production sound needs!
Must be considered out of town hire for productions in Cincinnati!
I believe my work as a sound recordist speaks for itself and shows a passion for quality work, education & knowledge on recording techniques, and the ability to integrate into complex workflows. Having experience in nearly every production style as well as a history in a commercial recording studio environment producing music & doing audio post, this experience informs the how I fundamentally approach each production. Nothing is more rewarding than the projects with unique requirements & the challenges that come with them.
Case Study: Leaf Filter Commercial Recording Sound for a Leaf Filter “Fall Leaves” Campaign Leaf Filter has been a fantastic reoccurring client and always enjoy working with them! The “Fall Leaves” campaign we shot at the beginning of November 2023 is a particularly great example of high quality work with a fully staffed sound department.…
Case Study: Tim Ryan Campaign Videos Recording Sound for Tim Ryan’s Union Commercials It was fantastic working for Left Hook to do the production sound on the majority of Tim Ryan’s 2022 Senate campaign commercials. This was a fun & rewarding reoccurring project for me throughout the year, and Tim Ryan was an absolute pleasure…
Case Study: Commercial with Lebron James for Ladder It was great working with D’Marie Productions as the production sound mixer on a commercial shoot with Lebron James for Ladder Sports. On this shoot wardrobe and action were some of the biggest challanges from the perspective of the sound department. Difficult Wardrobe To Hide Mics While…
Case Study: Recording Classical Music on Location for a Docuseries Recording Sound for Season 3 of PBS’s “Now Hear This” Recording both the music and dialog on Now Hear This’ Season 3 was one of my favorite productions I’ve ever worked on. My favorite jobs have always been ones where the world of video production…
Case Study: Anatomy of a Fast Paced Commercial Video Production Recording Sound for Pepsi’s “OH! So Refreshing” Campaign Not too long ago I had the pleasure of working with Bruton Stroube as the production sound mixer for Pepsi’s “OH! So Refreshing” campaign at Mike’s Place in Kent, Ohio. A fast paced commercial production composed of…
Case Study: 144 Music Performance Videos In 4 Days 144 Music Performance Videos At A Nashville Museum In 4 Shooting Days & 1 Tech Prep Day Recording sound for the George Jones Sessions was a fun but fast paced & complex shoot. Fortunately I had an A2 and a tech prep day to get ready…
Case Study: Remote Round Table Sound For A Remote Round Table w/ 3 Talent On Site, 6 Cameras, 7 Independant Mixes, & Zoom Feed & Return of Remote Talent & Direction While round table discussions are a fairly common type of video production, doing a remote version during a pandemic with each talent in a…
Case Study: A Direct To Camera Commercial Sound For A One Talent & Single Camera Commercial for Ranpak As was the case on this production, it’s always nice when I get to work with my friends over at Black Valve, who produced, directed, and shot this video. From the perspective of the sound department, this…
Case Study: Sound For A Live Stream Concert Find Your Light Foundation Benefit Concert Hosted by J.R. Heckman & Presented by John Carroll University When I was initially contacted to do the sound for the Find Your Light Foundation’s Songs of Hope 2021 live stream concert hosted by J.R. Heckman and presented by John Carroll…
Case Study: Sound For A Netflix Comedy Special David A. Arnold’s ‘Fat Ballerina’ Overseeing the production sound & audio post for David A. Arnold’s Netflix Comedy Special, ‘Fat Ballerina’ posed a number of niche specific challenges that aren’t seen on most productions. If you haven’t seen ‘Fat Ballerina’, it was released on Netflix in spring…
When working on location as a sound recordist having the right tools for the job is essential. I always bring the highest quality equipment on set for my clients, with a no compromises approach to sound quality & reliability. Offering scalable multitrack field recording packages from lightweight run and gun bag based rigs to larger more complex cart based recording packages, I have to tools to accomplish nearly any scale of production.
