As a highly experienced Sound Recordist (often referred to as a production sound mixer, location sound, or simply sound mixer), I have an wade gamut of experiences across to draw on coupled with a selection of top tier film sound gear to bring your production’s audio to the next level. I have a number of nashville based clients, and end up on shoots in Nashville quite frequently. Though my homebase is Cleveland, I can work in Tennessee for shoots with travel & accommodations covered.
Must be considered out of town hire for all video productions in Tennessee
As a production sound recordist for television, documentaries, narrative films, or commercial productions, there are a lot of responsibilities on the sound department; From Recording Clean Dialog, Wiring Talent, Recording Ambiences & Production Foley Sounds, to Logging MetaData, Ensuring Audio & Camera Sync, Mixing Reference Audio to Camera, and a lot more. Having spent more than a decade of my life dedicated to recording great audio, I have the experience to guarantee it gets done right the first time.
I love when my clients’ expectations are exceeded by providing exceptional on location sound services to productions of all types. Audio Engineering isn’t something I happened into, it’s something that is truly a passion of mine. Drawing on more than a decade of experience and a deep knowledge base of recording techniques, I deliver top tier quality every time for my clients.
I have experience with nearly every video production style, and would love to talk about your shoot:
I end up getting traveled into Nashville a fair amount and very much enjoy working in this city. It has a lot to offer with an amazing selection of restaurants. When working as a sound recordist or production mixer in Tennessee, I must be considered an out of town hire. Therefore I will need to travel, mileage, lodging, & per diem covered. Contact me for a custom quote based on your productions’ needs.
My work shows my expertise and passion for delivering high quality work. I love deploying creative solutions & overcoming challenges to deliver quality audio despite each shoot’s unique challenges. Drawing on my audio production experience, I bring a depth of knowledge more extensive the run of the mill sound recordist. Drawing on my experience in recording studios, with post-production, classical music recording, live sound reproduction, & much more. I love unique projects and the challenges that come with them.
Case Study: 144 Music Performance Videos In 4 Days 144 Music Performance Videos At A Nashville Museum In 4 Shooting Days & 1 Tech Prep Day Recording sound for the George Jones Sessions was a fun but fast paced & complex shoot. Fortunately I had an A2 and a tech prep day to get ready…
Case Study: Remote Round Table Sound For A Remote Round Table w/ 3 Talent On Site, 6 Cameras, 7 Independant Mixes, & Zoom Feed & Return of Remote Talent & Direction While round table discussions are a fairly common type of video production, doing a remote version during a pandemic with each talent in a…
Case Study: A Direct To Camera Commercial Sound For A One Talent & Single Camera Commercial for Ranpak As was the case on this production, it’s always nice when I get to work with my friends over at Black Valve, who produced, directed, and shot this video. From the perspective of the sound department, this…
Case Study: Sound For A Live Stream Concert Find Your Light Foundation Benefit Concert Hosted by J.R. Heckman & Presented by John Carroll University When I was initially contacted to do the sound for the Find Your Light Foundation’s Songs of Hope 2021 live stream concert hosted by J.R. Heckman and presented by John Carroll…
Case Study: Sound For A Netflix Comedy Special David A. Arnold’s ‘Fat Ballerina’ Overseeing the production sound & audio post for David A. Arnold’s Netflix Comedy Special, ‘Fat Ballerina’ posed a number of niche specific challenges that aren’t seen on most productions. If you haven’t seen ‘Fat Ballerina’, it was released on Netflix in spring…
Every video production has varied audio needs, I offer scalable multitrack recording packages tailored to the needs of your shoot. Whether its a lightweight bag based sound package to a cart based sound recording equipment ready for complex workflows with a full team that includes a Sound Recordist, Boom Operator, & Utility. Every equipment package is different based on the needs of the individual video production’s need.
From Large Scale Multi Camera Productions to Small Run & Gun Crews, I have done it all. I’ve worked with nearly every camera on the market (Including Red Dragon, Red Gemini, Red Helium, Red Mostero, Arri Amira, Arri Alexa SXT, Arri Alexa Mini, Sony F55, Sony F5, Sony FS7, Canon C300, Panasonic Varicam, & Panasonic EVA1), and know how to properly set them up for any workflow requirements.
Now matter what gear you need, I’ve got you covered:
