I’m Henri Rapp, a production sound mixer & location sound recordist for TV, film, & commercial video productions. When working as a production sound mixer in Los Angeles, I require travel covered from my homebase in Cleveland. Ultimately I believe my job as a sound recordist is all about capturing performances; Whether that’s a documentary interview, comedian on stage, a musical performance, or actors in a narrative film…..it’s all about capturing those moments.
Having worked on projects across nearly every production style & workflow and I’m ready to integrate into your crew, I have the experience to ensure success on your production. Prior to getting into the world of video production I initially got my start in a recording studio where I produced music and did audio post-production. This experience still shapes the way I approach sound engineering today. Now having more than a decade of professional experience, I bring a strong technical knowledge base & top tier recording gear to every production I work on. No matter what the video production style is from comedy specials, to narrative films, commercials, documentaries and more, choose Henri Rapp for reliable production sound services.
When working in the field as a location sound mixer for video productions, having experience is essential. I believe my past work as a production sound mixer speaks for itself demonstrating flexibility, a passion for high quality work, a depth of knowledge, and ability to integrate into complex workflows. I have experience with nearly every production style and a history of producing music and doing audio post which fundamentally shapes the way I approach sound when productions have unique requirements.
Case Study: Commercial with Lebron James for Ladder It was great working with D’Marie Productions as the production sound mixer on a commercial shoot with Lebron James for Ladder Sports. On this shoot wardrobe and action were some of the biggest challanges from the perspective of the sound department. Difficult Wardrobe To Hide Mics While…
Case Study: Recording Classical Music on Location for a Docuseries Recording Sound for Season 3 of PBS’s “Now Hear This” Recording both the music and dialog on Now Hear This’ Season 3 was one of my favorite productions I’ve ever worked on. My favorite jobs have always been ones where the world of video production…
Case Study: Anatomy of a Fast Paced Commercial Video Production Recording Sound for Pepsi’s “OH! So Refreshing” Campaign Not too long ago I had the pleasure of working with Bruton Stroube as the production sound mixer for Pepsi’s “OH! So Refreshing” campaign at Mike’s Place in Kent, Ohio. A fast paced commercial production composed of…
Case Study: 144 Music Performance Videos In 4 Days 144 Music Performance Videos At A Nashville Museum In 4 Shooting Days & 1 Tech Prep Day Recording sound for the George Jones Sessions was a fun but fast paced & complex shoot. Fortunately I had an A2 and a tech prep day to get ready…
Case Study: Remote Round Table Sound For A Remote Round Table w/ 3 Talent On Site, 6 Cameras, 7 Independant Mixes, & Zoom Feed & Return of Remote Talent & Direction While round table discussions are a fairly common type of video production, doing a remote version during a pandemic with each talent in a…
Case Study: A Direct To Camera Commercial Sound For A One Talent & Single Camera Commercial for Ranpak As was the case on this production, it’s always nice when I get to work with my friends over at Black Valve, who produced, directed, and shot this video. From the perspective of the sound department, this…
Case Study: Sound For A Live Stream Concert Find Your Light Foundation Benefit Concert Hosted by J.R. Heckman & Presented by John Carroll University When I was initially contacted to do the sound for the Find Your Light Foundation’s Songs of Hope 2021 live stream concert hosted by J.R. Heckman and presented by John Carroll…
Case Study: Sound For A Netflix Comedy Special David A. Arnold’s ‘Fat Ballerina’ Overseeing the production sound & audio post for David A. Arnold’s Netflix Comedy Special, ‘Fat Ballerina’ posed a number of niche specific challenges that aren’t seen on most productions. If you haven’t seen ‘Fat Ballerina’, it was released on Netflix in spring…
Since every production’s content varies, and so do the requirements put on the production sound department. Every gear package is specifically spec’d out to the requirments of each production. From light weight bag based equipment packages for ‘run and gun’ shoots to larger scale productions requiring a full multitrack production sound cart with a Sound Recordist, Boom Op, & Sound Utility. Let’s discuss the individual needs of your shoot!
